The May 2019 update claims to be 50 times faster when exporting processed images, with a speed boost also added for other areas like navigating and previewing presets. This keeps raw processing and edit settings intact, including crop, retouching, and local adjustments. But a point of difference is it includes the ability to non-destructively transfer photos from Lightroom’s Develop module. Like many of the others, it has published guides on how to move from Lightroom to Photo Raw. The company is forthright in declaring its intention to attract dismayed Adobe customers by proclaiming ‘never rent your software again’. There is an image browser for cataloging, adjustable and stackable filters, while also offering complex controls such as layered editing and photo stacking. On1 claims Photo Raw has the best of both worlds – it’s a ‘more powerful’ alternative to Lightroom, with Photoshop tools and features. Launched in May 2019, On1 Photo Raw 9.5 is a non-destructive image processor and editor available for US$63.99. But there also appears to be a challenging learning curve for newcomers swapping over from Lightroom.Ĭapture One Pro 12 is available for a 30-day free trial. However, PCMag‘s Michael Muchmore says the software trails behind Lightroom Classic due to inferior ‘interface fluidity, organisational tools, panorama and HDR merging, and profile support for cameras and lenses’.Ĭapture One still receives four stars – an excellent rating – with initial raw file conversion beating Lightroom. The review reports the software is faster than Lightroom in every possible way. In that previous sentence there is a HUGE emphasis on everything.’ There is a big emphasis on most, but the truth is Capture One 12 will do everything better than Lightroom does for most photographers. ‘I can say with certainty that it does most of what Lightroom does even better. What reviewers say about Capture One Pro 12:Ī Phoblographer review of Capture One Pro 12 strongly endorses the software, giving it five stars and the Editor’s Choice rating. It has also opened the door to third-party developers, which should lead to innovative new plug-ins over time. It’s not an all-in-one photo editor – complex editing, to make things like composites, will require another app.Ĭapture One Pro 12 has introduced an easier-to-use interface with new icons, menu system, and sliders. Phase One’s answer to Lightroom supports over 500 cameras, with it recently integrating Fujifilm cameras into the mix. The rather expensive one-off payment buys three licenses, and future releases come at a marginal discount for existing customers. There’s also a $30 per month subscription model for CC lovers. Inside Imaging recommends reading the full in-depth reviews.įor those interested in dipping their toes or tackling the learning curve, most apps are also available as a 30-day free trial.Ĭapture One Pro 12, the latest RAW non-destructive processing software by high-end camera manufacturer Phase One, is available for a one-off payment of $490. Here’s an overview of some of those alternatives, coupled with verdicts and conclusions from independent reviewers. But the backlash also showed that more Adobe customers are ready to look at the alternatives. Few businesses would dare toy with doubling prices overnight. Despite cack-handedly backing away from the price hike, it showed the power Adobe has over its customers by having them locked into the Creative Cloud. Until the next price rise…Īdobe recently tested doubling its prices for the Photography Plan. That adds up to a minimum of $171 per year, forever. From a business perspective, the Creative Cloud keeps a steady income flow – it makes perfect sense.Īdobe customers are locked into paying $14.29 per month for Photoshop and Lightroom, and more for extra storage. Plenty of photographers could get by with the Photoshop and Lightroom tools from five or more years ago, provided the company continued to support new cameras. There’s a strong seam of resentment towards Adobe’s relentless rent-seeking. Unfortunately, photographers haven’t fallen in love with their hostage-taker, a la the Stokholm Syndrome. And revenue comes in nice and regular on a monthly basis. There’s no urgency to create a better product to persuade customers to invest in an upgrade. The Adobe Creative Cloud software rental scheme has done wonders for shareholders, with Adobe no longer pressured to come up with major software updates and improvements. There’s Phase One Capture One Pro, On1 Photo Raw, Skylum Luminar, Serif Affinity Photo, and now DxO PhotoLab with Nik Collection. And the ‘ Adobe alternatives‘ are getting faster, more powerful and advanced with each upgrade. Adobe has a near-monopoly on the image post-processing software market with Lightroom and Photoshop, but there’s more competition than ever before.
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